As soon as I decided to go the indie route, I knew that hiring a professional editor was a must. If I was going to do this, I was going to do it right.
I researched independent editors, culling a list of 10. I narrowed it down to five that I interviewed by phone. I took notes on each conversation. I made lists of their previous clients and researched each book they had worked on. Then I researched the reviews that each one got. I asked for references; I checked references. I reached out to past clients who they hadn't given as references (because OF COURSE they're going to give me the clients who loved them--duh!). Then, after a lot of mental and physical pacing, I made a decision.
Then I stressed about my decision. Was this the right choice? Was she the best fit for me? What if her references and past clients had lied? What if this was all a farce? What if I'd just sent a big, fat check to a hustler?
I waited six weeks for my turn in the editorial queue. Then I waited four weeks for my manuscript to be sent back to me.
During this time, I thought of very little else. How could I when my professional editor was editing my book? (My book! Holy crap!)
My editor let me know that it's her policy not to comment while she works. Which kind of made sense except the fact that I'm totally freaking out and dying to know what she thinks!
One of my reasons for going the indie route was because it was the expedited route. But it seems that patience--lots of it--is required, even on the expedited route!
I researched independent editors, culling a list of 10. I narrowed it down to five that I interviewed by phone. I took notes on each conversation. I made lists of their previous clients and researched each book they had worked on. Then I researched the reviews that each one got. I asked for references; I checked references. I reached out to past clients who they hadn't given as references (because OF COURSE they're going to give me the clients who loved them--duh!). Then, after a lot of mental and physical pacing, I made a decision.
Then I stressed about my decision. Was this the right choice? Was she the best fit for me? What if her references and past clients had lied? What if this was all a farce? What if I'd just sent a big, fat check to a hustler?
I waited six weeks for my turn in the editorial queue. Then I waited four weeks for my manuscript to be sent back to me.
During this time, I thought of very little else. How could I when my professional editor was editing my book? (My book! Holy crap!)
My editor let me know that it's her policy not to comment while she works. Which kind of made sense except the fact that I'm totally freaking out and dying to know what she thinks!
One of my reasons for going the indie route was because it was the expedited route. But it seems that patience--lots of it--is required, even on the expedited route!
And? Eager to know what the outcome will be! I had my second book accepted and am about to start revisions with my editor - but I think sitting around chewing my nails would be much worse! Good luck and hope you have chosen from the heart/gut!
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DeleteCongratulations on the acceptance of your second book! That's wonderful! What's the editing process like? How do you work together? How does it go? Would love to know all the details! And of course will reciprocate :)
DeletePS: Argh! Stupid Blogger! Having trouble replying!
The second time around is much easier - my eyes are so much sharper! I think I'm faster and better organised. Good luck with yours. On http://peltandotherstories.blogspot.com I talk about book 2. Ciao cat
DeleteI am so interested to know what you think of her edits. Will you let us know?
ReplyDeleteAbsolutely! And you know what's been my invaluable editing companion? Your book! :)
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